Exposure and focus are obviously very important technical skills, but it is composition that gives your image structure and creates a pleasant viewing experience.
When you read any photography book or website you will find more than enough information on depth of field, rule of thirds and other such ‘rules’ that we should follow to create good images. In these same books you will read how you should go about breaking these rules to create striking images, whatever you might be photographing.
Wildlife photography is no exception and in this Blog, which complements a previous Blog called "Lines & Shapes in Wildlife Photography", I have scratched around the images on Photo-Africa to see how composition plays a role in creating striking, interesting, dynamic and when you break the rules, different wildlife images.
Focal Point – What is the focus of your image?
One way to draw your viewer’s attention to your focal subject is to place the subject on a ‘power point’ which is defined by the rule of thirds. To complement this, or as an alternative you could use lines to draw your viewers attention into the frame ending on your planned focal point. The following two examples show how to draw attention to your focal point.
Example 1 – Focal Point
This elephant in this image is placed perfectly on the top-right power point which gives it a strong position in the frame. (Pity the tusk is slightly cut but not a huge problem.) In addition to the good placement of the focal subject the off-road track leads the viewer’s eye from the bottom of the frame, in a diagonal line, towards the elephant.
The above image shows much better composition than if Matt were to place the elephant dead centre in the frame. Also, whenever you are about to click the shutter, have a quick look around your subject and see whether there is not some kind of lines or other shapes in the surrounding environment which can assist you in highlighting your focal subject. There are normally many creative ways in which you can highlight the subject that caught your eye in the first place.
Example 2 – Focal Point
In this image the lion is again placed on one of the power points. The viewer’s gaze is again drawn in from the left of the frame by the diagonal line created by the brown road leading towards the big cat.
As you can see in the image above there is a bit of conflict that is created between the line leading your view into the image and the direction in which the lion is looking. This actives space, more on this next, makes you wonder what the lion is looking at. The ‘conflict’ between the two lines makes this an interesting image. Don’t you think that the image would not have been that interesting if the lion was placed more to the left of the image?
Active Space – Leave space for your subject to look or move into.
If you are photographing a subject that is looking at something, such as the lion in the above example, or moving in a specific direction you should try and keep some space for them to do so. Two examples of using active space.
Example 1 – Active Space 
The bat, which is placed in a strong position, is flying towards the top-left of the frame. The open space in that corner gives the image a dynamic feel as the bat has a place to move into.
If the bat was placed dead center in the frame it would not have been as dynamic.
Example 2 – Active Space
A great action capture. All three impala are clear and moving, and looking, into a specific direction. By leaving space on the right Grant has left space for these three antelope to move towards.
Again, if this image was centered and cropped it would have been a mildly interesting but not as dynamic as it currently is. A quick thought - with this image it might have been an option to place the three impala towards the far right of the frame as this might have made the viewer wonder what was chasing them?
Create Depth – Draw your viewer deeper into the image.
Photograph is a two dimensional representation of three dimensional scene. In order for you to create a realistic representation of what you saw at the time of clicking the shutter you need to try and create some sort of depth in your images. This can be done by playing with different lenses, which gives you different perspectives, or by placing various elements in your frame to support the focal subject and place it within a three dimensional scene.
Example 1 – Create Depth
In this image you get the feeling that the lion is moving towards you. The game drive vehicle in the background is blurred perfectly and along with the diagonal road leading up and away from the lion creates depth in the image.
Great safari image which is more interesting than if the lion was walking towards you on a flat surface and without anything in the background to create a feeling of depth in the image.
Fill the Frame – Get in close, then get even closer!
By filling the frame your viewer cannot make a mistake as to what your focal subject is. You still have to keep composition and placement in mind but by getting in close to your wildlife subject you are on your way to creating a striking image.
Example 1 - Fill the Frame
This close up of a female lion was shot as is – no cropping. You can almost see the inquisitive nature of this young lioness which would have gone missing was the image not shot full frame.
The placement of the eyes and nose still conforms to the rule of thirds and even creates an diagonal line between them. Good example of how you can fill your frame to create interesting and striking wildlife images. (Also see the Blog "Fill the Frame" on Your Photo Tips)
Cropping – Crop your image for more impact.
If you have even been on safari you must have a few images that you looked at afterwards and thought “this could have been much better”. By cropping some of your images you might find that they have more punch than the original. You can also use cropping to highlight the size of an animal or, if you chopped of an ear of a certain animal, crop both ears and see what you come up with.
Example 1 – Cropping
This is a pretty decent image of a quite irate elephant. You can see he is not happy, but he does not look all that intimidating just yet. By cropping off a little of the dead space at the top of the image you can make this image look a lot more ‘dangerous’ than the original.
Now that the elephant almost fills the frame he seems a lot more imposing and a helluva lot bigger. This crop, combined with the fact that image was taken from a low angle, looking up at the animal makes for a great elephant image.
Keep it Simple – Know what to include and leave out.
Every element in your image should highlight and the support the focal subject. A lot of the time we try and add more and more to an image in order to spice it up and make it interesting. Not necessary. A lot of the time it is a plain and simple image that turns into a winner.
Example 1 - Keep it Simple
A Black-Shouldered Kite on a branch – plain and simple. The branch not only half frames the beautiful little raptor but also creates a diagonal line that leads your view from the top of the image down towards the bird.
You can also see that the red color of the bird’s eye, which has been captured perfectly) is repeated in the little bit of red in the prey that is held in its talons. Very simple image that shows you should keep it simple. Any more colors or objects in the frame would have taken the focus off the bird and dropped the punch-factor of the image.
Other point to keep in mind when thinking about the composition of your image:
- Background – Does it draw attention away from your subject?
- Emotion – What was it that drew your attention in the first place? Shoot with your ‘emotion’ and try to highlight that feeling in the image.
- Numbers – Odd numbers are visually more exciting. Triangles, odd number of side, also make more dynamic image.
- Study – View other photographers work and see how they approached the scene they were photographing.
- Be Yourself – Don’t try and mimic someone else’s images. Do your own work and don’t be afraid of experimenting.
- Shoot – Really work every subject and try to use different angles and lenses.
There you go. A few thoughts on what you might look at when composing wildlife images and examples from Photo-Africa. It is true that wildlife photography requires a lot of patience and a lot of luck. It is therefore not always possible to comply with all the above composition guidelines but the more you practice the better your eye will become in seeing the various components of what will make your image stand out. Hey, at the end of the day keep these things in mind but shoot what catches your eye and have fun! That's what it should all be about!
If I find the time I would also like to do a Blog on Exposure in Wildlife Photography, a slightly more technical one, so will see how that goes.
Make sure to check back from Friday when I will upload this week’s High Five.
As always I look forward to hearing your comments!
Gerry
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With its' snout pointing upwards, the crocodile snapped and attempted to fight back as the predators flipped and tumbled in a dramatic battle. But the leopard, who had it caught by the throat, remained in control as the crocodile's legs clawed frantically at the cat's belly, its jaws snapping at air.
Defeat: The croc hangs lifeless and limp from the leopard's jaws
Victory: The leopard gains control and gets on top of it, suffocating it.
Dinner's ready: The big cat drags its prey off into the bush
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